Most of my music is meant more to be a state rather than a development. A state which changes over time, contains movement and variation, is alive in one way or the other, and is especially during the compositorial process itself more a permutating installation than a fixed set of events sequenced in time that has a definite beginning and end.
[Image left: Cyclone installation, Belgrade September 2007, Rendering by Kevin Haywood]
These three elements; music as state, its installation in a given space, and the potential interaction between that music and the space controlled or influenced by an audience, are the basis of a series of installation works I have created over the last couple of years.
2007 Cyclone Interactive installation Belgrade, Serbia
2007 Atom Interactive 3D performance
2007 Linear Grid Interactive installation Tesla Berlin, MUDAM Luxembourg
2004 Atlantic Waves Terminals Parochial church Berlin
2002 - 2007 Atlantic Waves Network performances Tate Modern London, Centre Pompidou Paris, MUTEK Montreal,...
1993 Drop Out Hochschule fuer Film und Fernsehen, Potsdam - Babelsberg


